13/12/2023

Album Review: Nightblade- That's The Way, You Want It

A wooden platform surrounded by water

Words by Anselm Anderson

British Hard rockers Nightblade has released their fourth album in four years. That's The Way You Want It is a follow-up to last year's Hope To Be There. I could not review that particular album but I have always admired Nightblade's guitar-driven sound. 

The band has announced that their sixth album, released within four years, will have some surprises. These include guest female vocals by Givvi Flynn, a cover of Gerry Rafferty's "Baker Street," and a New Year song. The band, based in the Midlands of England, has been featured in several music publications such as HRH Magazine, Kerrang!, and Powerplay, which has helped to increase their recognition. The band has replaced their drummer Rich Lawley with Harry Anson to add a new dimension to their sound. 


The album "That's The Way You Want It" features ten rock songs with sharp riffs and warm vocals that casual fans will enjoy. The self-titled track offers the same radio-friendliness as bands like Foo Fighters, with more grunge sensibilities thrown into the mix. The band's upbeat lyrics and fuzzy guitars add some pep to their sound. Next up is the energetic "The Vibe" which maintains the same tempo and feel-good vibe as the first track. 

The lead vocals from Mark Crosby have a similar range and power as bands like Pearl Jam during their peak. The vocals are supported by a strong backing band, which includes the consistent guitar playing of Sam Morse. His riffs and solos combine to create the positive energy conveyed by the band in "That's The Way You Want It". The influence of bassist Tim Cunliffe is felt on the groove-based "Too Far Gone" that slithers through the stereo like a snake with a penchant for slow-blues-based rock songs. That is not to say the album doesn't come with a few glitches. The slower, ballads like "What I Shared With You" "Your World, My Thought" and "Let Me In" can feel like fillers for the album, but it is the more rockier tracks that signify the strengths of Nightblade as a unit.




"The New Year's Tribute" titled "New Year's Change" is a fun rock song that provides a refreshing break from the repetitive Christmas songs we hear every year. "Baker St" is a modern take on Gerry Rafferty's classic track and is executed with justice. "Your Disguise" and "A Song is Coming On" are potential crowd-pleasers at upcoming gigs with their straightforward rock sound and new recruit Harry Ranson's slick drumming adds to the overall enjoyment of this end-of-year release in 2023.

Rating: 8/10















 

08/12/2023

Album Review: Blue Oyster Cult- 50th Anniversary Live- First Night

Blue Oyster Cult Logo of a silver Oyster

Words by Anselm Anderson


Today, the legendary Blue Oyster Cult have released 50th Anniversary Live-First Night via Frontiers Music S.R.L. The Three-day event celebrates an incredible fifty years of Classic rock icons, recorded in September 2022. The 2-CD Deluxe edition divides the first night into two.

As part of the extravaganza, the band played three sold-out shows at Sony Hall, NYC. During the set, the band played one of their first three albums- 1972's self-titled debut, 1973's Tyrants and Mutation, and 1974's Secret Treaties. The three-hour sets featured deep cuts and a special guest appearance from founding drummer Albert Bouchard.

I have long been a fan of the group so any opportunity to review one of their releases brings joy to this writer. The band are seen as a major influence on the heavy metal and hard rock scene, including Metallica. They are renowned for their catchy songs, heavy music, and lyrics often deemed funny, ambiguous, or terrifying. The set features original singer/lead guitarist Donald "Buck Dharma" Roeser and vocalist/rhythm guitarist Eric Bloom, bassist Danny Miranda, drummer Jules Radino and fellow guitarist/keyboardist Richie Castellano.

I think that is a slight background to these legends, so let's go to the review!

The setlist itself is organized with the group's melodic tracks building up pace towards the heavier and rockier tracks. The album begins with an exclamation "Here they come, the amazing Blue Oyster Cult". The band come out to a raucous applause and gets straight into "Transmission MC". Roeser and Bloom still retain a tight chemistry with the new lineup and make each song sound like the original. The blues-infused "I'm On The Lamb But I Ain't No Sleep" and "Then Came the Last Days of May" sound feel fresh and the audience is pleased with the performance. The band continue to keep them interested with fan's favourite "Cities on Flame with Rock 'N' Roll" and "Workshops Of The Telescopes". These heavy tracks seem to motivate the audience with stellar guitar play and the ever-impressive vocals of Buck Dharma and Bloom combining like two old friends having fun wrapping up the first CD.





The second CD performance continues with a focus more on the band's rock catalogue with songs like "Redeemed", "Dr Music" and "Burnin' For You" sounding like a night out at a local venue opening up the performance. Obviously, this version of the release features the popular "Don't Fear The Reaper" and "Godzilla" getting the biggest reactions of the night with a bold warning from Buck Dharma having fun with the audience. The second CD is heavier than the first with "That Was Me" and "Hot Rails to Hell" completing a respectable celebration of a band in their pomp.

Blue Oyster Cult delight a packed Sony Hall with a treat for fans in time for the festive season. This is a perfect Christmas present for die-hard fans of B.O.C.

Rating: 8/10


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If you liked this, you may enjoy this review of the new album from Paul Rodgers







30/11/2023

Album Review: Plastic Barricades- We Stayed Indoors

An artistic impression of two gentlemen in a picture frame looking outside at pink clouds.


Words by Anselm Anderson


London-based Indie rock act Plastic Barricades is set to release their third studio effort We Stayed Indoors, today (Thursday, November 30th) via Plastic Tribe Records. The album provides a fascinating insight into the effects of the Covid-19 lockdown from a few years ago. "We Stayed Indoors" takes a complex and quirky approach to loneliness, hope, courage, living in the moment, regrets, hopes and perception. It was a telling time for many of us and this ten-track LP perfectly captures the moments in 45 minutes. The album title is inspired by the 2001 track "We Laugh Indoors" by the band's idols Death Cab For Cutie.

I reviewed a couple of singles earlier this year ( "Counting Fireworks", and "Lucid in the Fall") and was instantly taken by the blend of melodic vocals, imaginative lyrics and the overwhelming acoustics and electronics on display. So, I was excited to receive this via my Inbox. The band's brand of indie and folk is the perfect formula for a sensitive subject like this one. Plastic Barricades is London-based singer/songwriter Dan Kert and his revolving door of contributors. The follow-up to 2017's Mechanics of Life and 2020's Self-Theories was recorded with Sheffield-based drummer Chris Barber and German singer Aellie Coto. The album features guest performances by singer/songwriters John Sibley and Luke Joyce. The recording duties belong to Tom Hill and Andy "Hippie" Baldwin who spread their magic at Bookhouse Studio and Metropolis Studio.

That is the background of the band and album, so now it is time to review. Firstly, the album begins with the aforementioned "Counting Fireworks", a perfect song to begin any artist release. The enchanting vocals blend with perfectly strummed acoustics to encapture the isolation felt during the lockdown. It is certainly a song to lift anybody's mood. Next up is "For The Brave" with a background chorus by Eli Pasok and Christina Petushenko which provides ambience to Kert's soft and endearing vocals. The keyboard and acoustic guitar add a sense of togetherness to the track. I admit this is an album full of melodies and easy-listening songs designed to perk up anybody feeling the blues. It isn't a participant of the headbanger's ball, but sometimes these types of albums are needed.

The overall tone of "We Stayed Indoors" is gentle and serene with the addition of the contributing guests and evocative music underlying this. "Second-Hand Dreams" is another example of this with poetic lyrics about watching the world go by is a perfect anthem for those bored indoors. The dark electronics of "We're Not So Different" and "High Wire Balancing Act" provide some comfort, while "Lucid In the Fall"  and "Tallest Trees" showcase Kert's introspective lyrics and warm vocals, intertwined with some stout fingerpicking acoustic guitar and stirring electronics.

Finally, the melancholic folk song "Dust of Former Lives" is a good sing-along track to complete the album.

Overall, Plastic Barricades has written an anthem for a dark period in our lives with charm, warmth and humility. "We Stayed Indoors" is a perfect record for someone who wants to escape life's woes with a relaxing record.

Rating: 7.5/10

"We Stayed Indoors" is available via all major streaming platforms on November 30th


If you enjoyed this review, please click on the links below to read more about Plastic Barricades




27/11/2023

Single Review: The Bad Electric- Beans

a topless man crouches down and holds a giant Orange.


Words By Anselm Anderson


The Bad Electric are a Punk band that recently emerged from a burgeoning Welsh Music scene. The quintet are set to release their hotly-anticipated new EP "Happy Endings are Overrated" on 8th December. Beforehand, they will release two singles to precede the album. I shall review the first single "Beans", which came out on Friday 24th November.

The self-styled "DIY" band formed in Swansea, Wales three years ago. Since then, they have self-released, recorded, and mixed last year's debut EP "In His Blood". They refer to themselves as a punk band but blend in alternative rock, indie and electro to give those earlugs a wringing. The Bad Electric comprises lead vocalist Johnny Randall, Matt Williams (Guitar / Synth / Vocals), Zach Williams (Bass / Vocals) and Tom Young (Drums). They feature various members from the Swansea Music scene such as HWDU and Suns of Thunder to name a few.

"Beans" is an energetic punk track full of wit and charm, reminiscent of bands like The Ramones and Pixies. The song begins with a dirty, aggressive riff that is both urgent and addictive. Lead vocalist Johnny Randall's unique and hazy vocals remain defiant, as the groovy riff builds in tension to the bridge. The earworm chorus is memorable and will leave the listener singing along. The riff builds in intensity as the stirring synths and sudden breakdowns leave the song feeling there is more to come.

The Bad Electric have been making a name for themselves with their orange jackets and support slots for Nick Olivieri. However, there is more to come from the band musically with this enjoyable introduction to them.

"I Guess I'm Here Now" is the next single to be released on 1st December, preceded by the new EP "Happy Endings are Overrated" on 8th December.


Click on the player below to listen to "Beans"





If you enjoyed this review, You may like the review for HWDU below








 

21/11/2023

EP Review: Lords of Ruin- Coda Revival

A Human hand reaches out beyond the grave.


Words by Anselm Anderson


The second EP review of the week is a look at the upcoming four-tracker, Coda Revival by rising British hard rock starlets Lords of Ruin set for release this Friday, November 24th. The band combines alternative metal with contemporary rock to satisfy the cravings of enthusiastic rock fans. Lords Of Ruin reminds me of a younger version of Avenged Sevenfold and a heavier alternative to Shinedown with their powerful and captivating lyrics, sharp riffs, and blistering drumming. The band explores a variety of styles on the four songs that are available here.

Lords of Ruin were conceived in Northern England seven years ago, but it wasn't until 2019 that they released their first single. The band consists of "Lords" with vocalist Lord Dox, Lord Stev-O on drums, bassist Lord Liam and guitarists Lords Kev and Stones. They first gained notoriety with an appearance at the Hard Rock Hell Festival before the turgid pandemic struck Britain, Thankfully. The Lords returned with last year's debut EP Ruin Within, which allowed them to perform at large festivals.



The Five Members of Lords of Ruin pose together.
Photo courtesy of Darren Birch


The band states that "Coda Revival" is a sequel to that release and marks the end of the beginning for them with high hopes for their future. Coda Revival is a short but sweet affair with the thick and thunderous riffs of "Decay" signalling a statement of intent for the band. Each kick of the drum resonates with grooves that encourage the listener to release their inhibitions. Lead singer Dox is a commendable presence with soft vocals that stretch over the raging riffs. "Bulldozer" features intricate phrasing and sharp riffs, with vocals leaning towards commercial appeal. 





As previously mentioned, Lords Of Ruin go from edgy alt-metal to a melodious mainstream rock style that is a testament to the lead vocalist's range.  I feel the band are best suited to writing metal tracks because of the intensity and smoothness of their songwriting and instrumentation. "Universal" is an example with a strong focus on strong vocal melodies and a catchy chorus juxtaposed with anguished harsh vocals underlining my point in case. It allows for big riffs and a sense the band can "breathe" and examine their true creative freedom. 

The basslines add a new dynamic to the metal stylings, while the addition of two guitarists creates a darker existence to their sound. This comes full circle on the song "Broken Dreams" by Lords Of Ruin is a great example of their style. It's a mixture of modern metal with emotional screams that give you a taste of what's coming next. In general, Lords Of Ruin create captivating tracks with a unique edge and consistency, which will certainly attract rock fans who are looking for something new and fresh.

Rating: 3.5/5



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Click below to listen to 'Broken Dreams' 



 


 Lords Of Ruin are


Lord Dox – Vocals;
 
Lord Steve-O – Drums; 

Lord Liam – Bass;

 Lord Stones – Guitar;

 Lord Kev – Guitar.







18/11/2023

EP Review: The Rattlebacks- Kink

Kink in large, red letters against the backdrop of black background.


Words by Anselm Anderson

The Energy of The Rattlebacks is a force to behold. The quintet combines the attitude of classic rock with the punch of grunge to create a unique sound only known to themselves as Rattlebacks sound!

They recently released their debut EP Kink via a GoFundMe Campaign,  to which their fanbase kindly donated over £5,000 towards being made. The four-track EP was produced and recorded by Dave Holmes at Lighthouse 95. The producer's impact can be heard over four stunning tracks of bally rock 'n' roll that is reminiscent of Guns 'n' Roses and Stone Temple Pilots. Lead vocalist Josh Clarke's highly contagious soulful voice blends perfectly with lead guitarist Max Horn's groove-oriented riffs and the rhythmic guitar work of Cox, creating a strong dynamic with the powerful drumming of Seth Markes and the intoxicating basslines of Jack Holland.

Formed in 2021, the band hails from Brighton in the South of England. They have attracted fans from across the country with their staunch following and passionate shows. The band are ready to take the next level with this new release. I was immediately impressed by the mature sound that Holmes had created. The music is fresh and dynamic, with a focus on the vocals and riffs.

The band begins with the high-energy rock of "Rattleback," featuring a crisp, distorted riff and powerful drumming. The track resonates with listeners thanks to its addictive chorus and overall sound.


The five members of the band crouch down inside a disused playground.
Photo courtesy of Rob Blackham of Blackhamimages

Next up is the grunge-influenced "Amon" with lung-busting vocals and tantalising riffs to get those heads swinging. The Rattlebacks aims to keep the listener engaged with high-octane songs full of meaty riffs that continue to evolve throughout the EP. The feisty "Burn It Down" may be mistaken for something out of the sleaze rock directory with its slow, bluesy riffs and sneery vocals that build on the spirit of the music throughout.

And finally, "Favourite Son" is a nice slow burner to wrap up the release with its blues-influenced riff and towering, soulful vocals.

Overall, The Rattlebacks creates four enjoyable rock and roll tracks that serve as a taster for their first full-length album.


Rating: 3.5/5

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Click below to watch the video for "Rattleback"















 



12/11/2023

Album Review: Svartanatt- Last Days On Earth

An animated picture of a middle aged Native American Man holding  an Orb

Review by Anselm Anderson

Swedish rock band Svartanatt may have a difficult name to pronounce but their 70s retro rock style is a nostalgic throwback to a bygone era. The five-piece has released their third studio effort, entitled Last Days on Earth via The Sign Records. The band's doom-and-gloom lyrics mask their upbeat sound of uplifting vocals, razor-sharp riffs and '70s-influenced hard rock and blues.

According to the band, the album covers pessimistic topics like the loss of faith in society and humanity, but don't let that put you off listening to the album because some of the tracks are infectious and will leave you stomping your foot.


 Formed in 2014, the band hails from Stockholm, Sweden and consists of lead vocalist Jani Lehtinen, guitarist Felix Gâaste, drummer Daniel Heaster, bassist Anton Fors and Martin Borgh on organ and percussion duties. Last Days on Earth is a follow-up to 2018's sophomore album Starry Eagled Eyes. Admittedly, the band are new to me, so I am always eager to try some new music. I was instantly impressed with how fresh and original the record was. Recorded in Svenska Grammofonstudion, The album was recorded by Martin Borgh.



So without further ado! Let's dive into the album release. The bluesy riff and Jani's husky voice in "Demons in The Night" offer a solid 70s vibe, backed up by a stirring rhythm section. 




a photo of Svartanatt posing for a promo picture.
Photo Credit: Olof Nyman

 "Mad Stranger" features soft melodies, which could be a radio favourite. The vibrant guitar interplay with a rhythm and blues section is reminiscent of a laid-back Led Zeppelin, making Svartanatt's music fresh and original. The music picks up the mood with the uplifting "The Crows" with an organ intro, stirring keyboards and thick basslines that supplement the mood of the track.


 I tend to make the argument retro bands try hard to replicate Led Zeppelin, but Svartanatt takes a different approach.  They expand their sound through fresh and creative ideas such as the rousing charms of "Child of A Devil", a surefire hit with an energetic riff, catchy chorus and stellar guitar interplay. It's juxtaposed with dazzling keyboards that sound like an obscure band from the '70s. The rhythm section and percussive beats add a progressive element to the music, while the vocals implement the neverending list of riffs produced by Svartanatt. That is not to say the album is full of stomping rhythms and rollicking riffs. The band take a softer approach towards the mid-section of the album with melodic ballads like "Children of The Sun" and "Keep on Movin".


The driven organ sound on "I'm Ready" is something taken from the playbook of the late, great John Lord of Deep Purple fame.  The instrument takes centre stage in "Texas Dance" and "What You Want" to wrap up an enjoyable listen. 


Overall, The album presents a new and unique take on the genre, backed by solid production values that bring out the best in Svartanatt. Although there are instances when the album may feel repetitive, the band's skilful combination of majestic music and strong songwriting is a delight for any classic rock fan.


Rating: 8/10


Follow this link here to keep updated with all the latest interviews, and reviews from Rambling Man


Click here to watch the YouTube video for the lead single "Demons In The Night"







Line up since 2019:


Jani Lehtinen – Vocals & Guitar
 
Felix Gåsste - Guitar
 
Anton Fors – Bass & Background Vocals
 
Martin Borgh – Organ & keyboards

Daniel Heaster – Drums & Percussion

Connect with Svartanatt: