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Interview: Tim Louie- Rahway bassist

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Interview by Anselm Anderson Rambling Man's Reviews returns with the first of many interviews by speaking with Chigger A.K.A Tim Louie,  the Rahway bassist . The band have recently released 'Rocketship', the latest of several singles from the band. I grabbed an opportunity to speak with the bassist about the new single, their upcoming EP, and which famous rock star came up with the band name. Please scroll down to read the full interview. Interview with Anselm from Rambling Man. Good morning, could you introduce yourself to the readers? Good morning! My name is Chigger a.k.a. Tim Louie and I’m the bass player for the band Rahway. Could you tell me about Rahway and how they came to be? Rahway was started by the brothers, David (guitars) and Steve (drummer) Cardenas. They used to be called Sun until producer Jack Douglas, who was also producing Aerosmith at the time, let Aerosmith frontman Steven Tyler listen to a few tracks. Steven Tyler dug the songs and asked the band’s n

Album Review: EB &The Deadlights- Echoes of A Dreamless Life

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Words by Anselm Anderson Ireland's Horror rock ac t EB and The Deadlights  have undergone a transformation since I last reviewed 2021's debut EP Still See Ghosts.  Firstly, the band underwent drastic lineup changes for the best with the additions of new songwriter/guitarist Macauley Rogers, bassist Maciek Zaworski, and guitarist Reece Mathers, who have vastly improved the band's sound into a mature and evolved quartet. Secondly, the band have gained success with an ever-evolving fanbase opening for For Pries t and Misfits Legend Doyle The wonderfully named Echoes of A Dreamless Life marks the evolution of a new direction for the band with a more muscular guitar sound, heavier tracks and darker lyrics. This nine-track LP borrows influences from Alice Cooper, Rob Zombie and Marilyn Manson, and delves further into punk, electronica and gothic elements. An unsettling News Report transitions into the murky rock of "Endless Hope," which is layered with distorted guit

EP Review: King of The Dead- Perdition

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Review by Anselm Anderson The dark overlords of the rock world return with a six-track EP, ' Perdition'. King of The Dead  is a band I have covered over the years. They are described as a 'Mysterious force' clad in cloaks. This release has a 70's radio-friendly appeal mixed with punk and organs!. The album continues where 2021's The Summoning left off. The infectious ' The Surmon For The Cursed' starts things off with a call to arms over the shrill of the organs as mentioned earlier. The guitar-driven charms of 'The Hunt' is followed with sweet vocal melodies over a soaring riff reminiscent of pop punks acts like The Offspring and Alkaline Trio. Moreover, The vocal melodies certainly add to the attraction of King of The Dead and their penchant to tell stories that are personal and uplifting. The band create conceptual art that appeals to a certain audience. This can be heard in the anthemic 'Courage' with its pop sensibilities and punk

Album Review- Civil Villains- Motion Sick

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  As Reviewed by Anselm Anderson Alt-rockers  Civil Villains  recently released the album Motion Sick . This a follow-up to the debut EP Snake Oil. The trio include influences from widespread as David Bowie and QOTSA to create a unique blend of dark instrumentation, angular riffs and soft vocal melodies. Formed in London back in 2016, the trio have worked hard through their dedication to the art via two North American tours and support slots to such luminaries as Bellevue Days ,  Poly-Math and Kid Kapichi . Recorded at Shaken Oak Studios by Mike Bannard (Foals, Glass Animals), Motion Sick is the finished article of years of hard work. The LP begins on a sombre note with the instrumental intro of 'Funeral Rouge' setting the scene for the first half of the album. The unstable  'Mortuary Blues' kicks things off with its jagged riffs and clever use of pull and tension building the atmosphere to an unsettling end. The mix of bluesy vocals and harsh ones further amplifies the

Album Review- Ŕênovations- Blank

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Album Review by Anselm Anderson I have found that many bands come with remarkable stories of how they were discovered. Rènovations  are no different. The trio have released Blank , the self-produced follow-up to their debut album. The band were granted funding through a Help Musicians UK Funding campaign last year to get the album released. Engineered by Graeme Young, the band recorded the album at Chamber Studios. The Electronic Rock act hails from Edinburgh, Scotland and their story began four years ago when French vocalist Charlotte Pulcino was offered a gig upon her return from a trip to Thailand. There was one catch- she needed a band. Charlotte contacted Italian drummer Gian Pablo Sudar and Romanian guitarist Ioana Pavel and, following a few drinks at the local pub: A band was formed. The album itself has been described as " a social, cultural and political commentary" with quite a lot of topics to cover. The album begins with an aggressive opener in 'A Precious St