Album Review: Category 7 sound the alarm on their explosive self-titled debut
Words from Anselm Anderson
Metal Supergroups are always a testy subject, for me. They are an opportunity for our favourite musicians to form a band with other musicians from another band to try to create something different from what we know. Some go on to flourish, while others disappear without a trace. My question is: Which category does Category 7 fall under?
Last Friday, the newly formed metal supergroup released their self-titled debut album through Metal Blade Records. The band includes well-known figures in metal, not just a mix of session musicians. John Bush, formerly of Anthrax and currently with Armored Saint, leads with his powerful vocals, along with the skilled guitarist Phil Demmel, formerly of Machine Head. Mike Orlando, a guitarist and producer known for his work with Adrenaline Mob and Sonic Universe, Jack Gibson from Overkill on bass, and Jason Bittner from Shadows Fall on drums round out this ambitious project.
The band combines the sound of their former bands with that of NWOBHM to create something different from the norm. The band aims to deliver powerful songs and loud, aggressive music, as evidenced by their name, borrowed from the numerical designation for powerful storms. Category 7 was formed by a group of friends with a shared interest and experience in the metal scene. The result is this ten-track rollercoaster of punk, thrash and traditional metal with a strong focus on social issues. Guitarist Mike Orlando offered his assistance as a producer for this record.
I was really looking forward to hearing what the band would come up with after reading about them. The first track was the lead single "In Stitches," a song about a homeless woman known to the band. The powerful vocals blend seamlessly with the sharp, sonic riffs. ' "Land I Used To Love" is a slow, melodic song with huge and polished production. Everything from the vocals to the contagious riffs and the ear-splitting drums comes alive as each track builds in intensity. I think that becomes the downfall of parts of this album. There are times when the production overcompensates for the lack of originality with some tracks sounding similar.
Of course, this album isn't all bad. Otherwise, I wouldn't be writing a review for you, keen readers. "Apple of Discord" showcases Bush's ability to capture the listener with a singalong chorus and infectious punk riffs. The dual guitars deliver a savage assault on the senses with a combination of spellbinding thrashing, solos, and groove-laden riffs. The drumming remains consistent, with each brutal strike and fill striking the listener through the speakers. Other highlights include the visceral and powerful metal tracks 'Exhausted', 'Mouse Trap', and 'Through Pink Eyes', with intense and hook-laden choruses that are as rewarding as they are fist-pumping.
Overall, Category 7 consists of ten tracks of fully charged metal with memorable riffs and captivating drumming that delivers something that, at times, sounds familiar, yet offers enough innovation to keep it interesting. Rating: 8/10
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