Album Review: Green Lung-Necropolitan

 

Photo Courtesy of Nuclear Blast Records



 Doom Metal act Green Lung celebrates the dark side of the Capital on "Necropolitan". The title comes from the seven garden cemeteries, known as Necropolises, that surround London. This release draws on folklore, myths, and occult themes that are perfect for Halloween. Each track has that eerie sense, with the music and lyrics emphasising the dark places the band wants to explore. The album is nine tracks long and feels like a nod to the seventies Prog/psychedelic scene. It clearly shows influences from bands like Black Sabbath and Deep Purple, with thick, downtuned riffs and rich, atmospheric keys throughout.

Produced by Ghost Producer Tom Dalgety, the album was recorded at Rockfield Studios this past January. The album aims to establish the band as a rock band with a penchant for powerful storytelling and strong riffs. Green Lung formed in 2018 and has released four studio albums and one EP. They have always written songs about folklore and the occult, which mirrors Prog, doom, and NWOBHM. "Necropolitan" serves as a good introduction to the band. The follow-up to 2023's "The Heathen Land" is heavier, with more hook-laden tracks.

Photo Courtesy of Andy Ford

Opener: "Dance to the Grave" is a testament to this,  featuring heavy, swinging riffs and hypnotic nasal vocals. It feels like Ozzy is still with us in spirit. The momentum carries through with the equally murky "Black Magick Radio", featuring Sabbath-like riffs that are heavy and hit like a sledgehammer. The addition of the keys is fast and chaotic, creating tension in the music.

The album reaches its pinnacle with the band's major single, "Evil in this House," featuring scintillating solos and a catchy chorus bound to set arenas alight. "Ozymandias" is a tribute to the famous 1818 sonnet by Percy Bysshe Shelley. The song carries on the gothic themes throughout the album with a nice jazz-inspired solo breakdown. The album does take a seat with some slower tracks, such as the balladry power of "Together in Death", whilst the closer "To the Gallows Born" is like a Judas Priest ballad that builds in tension. There is a nice blues riff and powerful vocals that seep with raw emotion.

Guitarist Scott Black's fuzzy tone works around the colourful textures of mellotron, which gives "Necropolitan" its macabre feeling. The band have worked hard to create an album that leans towards the past, but has that sense of a psychedelic and gothic new release.


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